John Keats, from a portrait by Joseph Severn

The Keats Library

Keats's Paradise Lost, Works Cited
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Works cited originally generated from Zotero script, with assistance building Zotero archive from Jack Rundle in 2018.

Albrecht, W. P. “The Tragic Sublime of Hazlitt and Keats.” Studies in Romanticism, vol. 20, no. 2, Summer 1981, pp. 185–201. JSTOR, doi:10.2307/25600295.
Allott, Miriam, editor. The Poems of John Keats. 3rd impression with corrections, Longman, 1975.
Barnard, John, editor. The Complete Poems, by John Keats, 2nd edition, Penguin, 1977.
Bate, Jonathan. “Keats’s Two Hyperions and the Problem of Milton.” Romantic Revisions, edited by Robert Brinkley and Keith Hanley, Cambridge UP, 1992, pp. 321–38.
---. Shakespeare and the English Romantic Imagination. Oxford UP, 1986.
Bate, Walter Jackson. John Keats. Harvard UP, 1963.
Brisman, Leslie. Milton’s Poetry of Choice and Its Romantic Heirs. Cornell UP, 1973.
Clarke, James Freeman. “George Keats.” The Athenaeum, no. 2358, 4 Jan. 1873, pp. 17–18.
---. “Remarks on John Milton, by John Keats, Written in the Flyleaf of Paradise Lost.” The Dial: A Magazine for Literature, Philosophy, and Religion, vol. 3, no. 4, Apr. 1843, pp. 495–504.
Cook, Elizabeth, editor. John Keats. Oxford UP, 1990.
Cronin, Richard. “Keats and the Politics of Cockney Style.” Studies in English Literature, 1500-1900, vol. 36, no. 4, 1996, pp. 785–806. JSTOR, doi:10.2307/450976.
Dilke, Charles. “Unpublished Notes on Milton, by John Keats; And Original Version of the Sonnet ‘to Sleep.’” The Athenaeum, no. 2348, 26 Oct. 1872, pp. 529–530.
Ende, Stuart A. Keats and the Sublime. Yale UP, 1976.
Fairer, David. “Milton and the Romantics.” John Milton: Life, Writing, Reputation, edited by Paul Hammond and Blair Worden, Oxford UP, 2010, pp. 147–65.
Finney, Claude Lee. The Evolution of Keats’s Poetry. 2 vols., Harvard UP, 1936.
Forman, H. Buxton, editor. The Poetical Works and Other Writings of John Keats. Revised by Maurice Buxton Forman, Hampstead Edition, 8 vols., Charles Scribner’s Sons, 1938-1939.
Gittings, Robert. The Mask of Keats: A Study of Problems. Harvard UP, 1956.
Gleckner, Robert F. “Keats’s ‘How Many Bards’ and Poetic Tradition.” Keats-Shelley Journal, vol. 27, 1978, pp. 14–22.
Gordon, R. K. “Keats and Milton.” The Modern Language Review, vol. 42, no. 4, 1947, pp. 434–46. JSTOR, doi:10.2307/3716797.
Goslee, Nancy M. “‘Under a Cloud in Prospect’: Keats, Milton, and Stationing.” Philological Quarterly, vol. 53, no. 2, Spring 1974, pp. 205–219.
Havens, Raymond Dexter. The Influence of Milton on English Poetry. Harvard UP, 1922,
Hazlitt, William. The Complete Works of William Hazlitt. Edited by P. P. Howe, 21 vols., J.M. Dent and Sons, 1930-1934.
Homer. Chapman’s Homer: The Iliad, the Odyssey, and the Lesser Homerica. Edited by Allardyce Nicoll, translated by George Chapman, 2 vols., Routledge, 1957.
Hunt, Leigh. The Autobiography of Leigh Hunt; with Reminiscences of Friends and Contemporaries. 3 vols., Smith, Elder and Co, 1850,
---. Imagination and Fancy; or, Selections from the English Poets, Illustrative of Those First Requisites of Their Art; with Markings of the Best Passages, Critical Notices of the Writers, and an Essay in Answer to the Question, “What Is Poetry?” 2d ed., Smith, Elder and Co, 1845,
---. “Mists and Fogs.” Indicator, vol. 1, no. 8, Dec. 1819, pp. 57–61.
---. “My Books.—No. II.  Originality of Milton’s Harmonious Use of Proper Names.” New Monthly Magazine, vol. 14, no. 55, Jan. 1825, pp. 387–92.
---. “A New Gallery of Pictures. Spenser, the Poet of the Painters. . . .” New Monthly Magazine, vol. 38, no. 150, June 1833, pp. 161–77.
Jack, Ian. Keats and the Mirror of Art. Clarendon P, 1967.
Jackson, H. J. Romantic Readers: The Evidence of Marginalia. Yale UP, 2005.
Johnson, R. Brimley. Leigh Hunt. Swan Sonnenschein, 1896.
Keats, John. The Letters of John Keats, 1814-1821. Edited by Hyder E. Rollins, 2 vols., Harvard UP, 1958.
---. The Poems of John Keats. Edited by Jack Stillinger. Harvard UP, 1978.
The Keats Circle : Letters and Papers, and More Letters and Poems of the Keats Circle. Edited by Hyder E. Rollins, 2nd ed., Harvard UP, 1965.
Kucich, Greg. Keats, Shelley, and Romantic Spenserianism. Pennsylvania State UP, 1991.
---. “A Lamentable Lay: Keats and the Marking of Charles Brown’s Spenser Volumes.” The Keats-Shelley Review, vol. 3, no. 1, Jan. 1988, pp. 1–22. Taylor and Francis, doi:10.1179/ksr.1988.3.1.1.
Lau, Beth. Keats’s Paradise Lost. UP of Florida, 1998.
Lowell, Amy. John Keats. 2 vols., Houghton Mifflin, 1925.
Newlyn, Lucy. Paradise Lost and the Romantic Reader. Oxford UP, 1993.
Owings, Frank N. The Keats Library: A Descriptive Catalogue. Keats-Shelley Memorial Association, 1978.
Pointon, Marcia R. Milton and English Art. Manchester UP, 1970.
Ravenhall, Mary Dennis. Illustrations of Paradise Lost in England, 1688-1802. Univ. Microfilms International, 1980.
Revard, Carter. “Milton as Muse for Keats, Shelley, and Frost.” Milton Studies, vol. 53, no. 1, 2012, pp. 205–34.
Roe, Nicholas. John Keats and the Culture of Dissent. Oxford UP, 1997.
Shears, Jonathon. The Romantic Legacy of Paradise Lost: Reading against the Grain. Ashgate, 2009.
Sherwin, Paul. “Dying into Life: Keats’s Struggle with Milton in Hyperion.” PMLA, vol. 93, no. 3, 1978, pp. 383–95. JSTOR, doi:10.2307/461861.
Sperry, Stuart M. Keats the Poet. Princeton UP, 1973.
---. “Richard Woodhouse’s Interleaved and Annotated Copy of Keats’s Poems.” Literary Monographs., vol. 1, U of Wisconsin P, 1967, pp. 101–64, 308–11.
Spurgeon, Caroline F. E. Keats’s Shakespeare: A Descriptive Study Based on New Material. 2nd ed., Oxford UP, 1929.
Stephenson, William Curtis. “The Fall from Innocence in Keats’s ‘Lamia.’” Papers on Language and Literature, vol. 10, no. 1, 1974, pp. 35–50.
Trott, Nicola. “Keats and the Prison House of History.” Keats and History, edited by Nicholas Roe, Cambridge UP, 1995, pp. 262–79.
---. “Milton and the Romantics.” A Companion to Romanticism, edited by Duncan Wu, Blackwell, 1998, pp. 520–34.
Ulmer, William A. John Keats: Reimagining History. Palgrave Macmillan, 2017.
Watkins, W. B. C. An Anatomy of Milton’s Verse. Louisiana State UP, 1955.
Weinfield, Henry. The Blank-Verse Tradition from Milton to Stevens: Freethinking and the Crisis of Modernity. Cambridge UP, 2012.
Weinglass, David H. Prints and Engraved Illustrations by and after Henry Fuseli: A Catalogue Raisonné. Scolar Press / Ashgate Publishing, 1994.
White, R. S. Keats as a Reader of Shakespeare. U of Oklahoma P, 1987.
Wilkie, Brian. Romantic Poets and Epic Tradition. U of Wisconsin P, 1965.
Williams, Meg Harris. Inspiration in Milton and Keats. Barnes & Noble Books, 1982.
Wittreich, Joseph Anthony, Jr, editor. The Romantics on Milton; Formal Essays and Critical Asides. With a Critical Introduction and Notes. P of Case Western Reserve U, 1970.
Wolfson, Susan J., editor. John Keats. A Longman Cultural Edition, Pearson / Longman, 2007.