John Keats, from a portrait by Joseph Severn

The Keats Library

Keats's Paradise Lost, Works Cited
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Works cited originally generated from Zotero script, with assistance building Zotero archive from Jack Rundle in 2018.

Bate, Jonathan. “Keats’s Two Hyperions and the Problem of Milton.” Romantic Revisions, edited by Robert Brinkley and Keith Hanley, Cambridge University Press, 1992, pp. 321–38.
---. Shakespeare and the English Romantic Imagination. Clarendon Press ; Oxford University Press, 1986.
Bate, Walter Jackson. John Keats. Belknap Press of Harvard University Press, 1963.
Brimley, R. Brimley Johnson [Reginald. Leigh Hunt. Swan Sonnenschein, 1896.
Clarke, James. “GEORGE KEATS.” The Athenaeum, 1873, pp. 17–18.
Clarke, James Freeman. “REMARKS ON JOHN MILTON, BY JOHN KEATS, WRITTEN IN THE FLYLEAF OF PARADISE LOST.” The Dial: A Magazine for Literature, Philosophy, and Religion (1840-1844), vol. iii, no. IV, Apr. 1843, pp. 495–504.
Critz], W. B. C. Watkins [Walter Barker. An Anatomy of Milton’s Verse. Louisiana State University Press, 1955.
Cronin, Richard. “Keats and the Politics of Cockney Style.” Studies in English Literature, 1500-1900, vol. 36, no. 4, 1996, pp. 785–806. JSTOR, doi:10.2307/450976.
David, David. John Milton: Life, Writing, Reputation. Edited by Paul Hammond and Blair Worden, Oxford University Press, 2010.
Dilke, Charles, Sir (“An Admirer of Keats”). “UNPUBLISHED NOTES ON MILTON, BY JOHN KEATS; AND ORIGINAL VERSION OF THE SONNET ‘TO SLEEP.’” The Athenaeum, no. 2348, 1872, pp. 529–530.
Eckert, Lindsey, and Lissette Lopez Szwydky. “Romanticism and Technology.” Romantic Circles, 1 Nov. 2017,
Ende, Stuart A. Keats and the Sublime. Yale University Press, 1976.
Forman, H. Buxton. The Poetical Works and Other Writings of John Keats,. Edited by Maurice Buxton Forman and John Masefield, Charles Scribner’s Sons, 1938.
Gleckner, Robert F., and John Keats. “Keats’s ‘How Many Bards’ and Poetic Tradition.” Keats-Shelley Journal, vol. 27, 1978, pp. 14–22.
Gordon, R. K. “Keats and Milton.” The Modern Language Review, vol. 42, no. 4, 1947, pp. 434–46. JSTOR, doi:10.2307/3716797.
Goslee, Nancy M. “‘Under a Cloud in Prospect’: Keats, Milton, and Stationing.” Philological Quarterly; Iowa City, vol. 53, no. 2, Spring 1974, pp. 205–219.
Havens, Raymond Dexter. The Influence of Milton on English Poetry,. Harvard university press;, 1922.,
Hazlitt, William. The Complete Works of William Hazlitt,. Edited by P. P Howe [Percival Presland, JMDent and Sons, Ltd, 1930.
Hunt, Leigh. Imagination and Fancy; or, Selections from the English Poets, Illustrative of Those First Requisites of Their Art; with Markings of the Best Passages, Critical Notices of the Writers, and an Essay in Answer to the Question, “What Is Poetry?” 2d ed.., Smith, Elder and Co, Smith, Elder, 1845.,
---. Literary Criticism. Edited by Lawrence Huston Houtchens and Carolyn Washburn Houtchens, Columbia University Press, 1956.
---. The Autobiography of Leigh Hunt, with Reminiscences of Friends and Contemporaries. Harper & Brothers, 1850.,
“Introduction: Editing a Fluid Text.” Herman Melville’s Typee: A Fluid-Text Edition, Accessed 1 June 2018.
Jack, Ian. Keats and the Mirror of Art. Clarendon P, 1967.
Jackson, H. J. Romantic Readers: The Evidence of Marginalia. Yale University Press, 2001.,
Keats, John. John Keats. Edited by Elizabeth Cook, Oxford University Press, 1990.
---. The Complete Poems. 2nd edition, Penguin Books, 1977.
---. The Keats Circle. Harvard Univ. Pr., 1965.
---. The Letters of John Keats, 1814-1821. Harvard University Press, 1958.
---. The Poems of John Keats. Edited by Miriam Farris Allott, Longman ; Norton, 1975.
---. The Poems of John Keats. Edited by Jack Stillinger, Harvard University Press, 1978.,
Kucich, Greg. “A Lamentable Lay: Keats and the Making of Charles Brown’s Spenser Volumes.” The Keats-Shelley Review, vol. 3, no. 1, Jan. 1988, pp. 1–22. Taylor and Francis+NEJM, doi:10.1179/ksr.1988.3.1.1.
---. Keats, Shelley, and Romantic Spenserianism. Pennsylvania State University Press, 1991.
Lau, Beth. Keats’s Paradise Lost. University Press of Florida, 1998.
Newlyn, Lucy. Paradise Lost, and the Romantic Reader. Clarendon Press ; Oxford University Press, 1993.
Owings, Frank N. The Keats Library: A Descriptive Catalogue. Keats-Shelley Memorial Association, 1978.
Pointon, Marcia R. Milton & English Art. Manchester UP, 1970.
Ravenhall, Mary Dennis. Illustrations of “Paradise Lost” in England: 1688-1802. Univ. Microfilms International, 1980.
Revard, Carter. “Milton as Muse for Keats, Shelley, and Frost.” Milton Studies Milton Studies, vol. 53, no. 1, 2012, pp. 205–34.
Schacht, Paul. “Walden: A Fluid Text Edition.” Digital Thoreau, 4 Apr. 2016,
Shears, Jonathon. The Romantic Legacy of Paradise Lost: Reading against the Grain. Ashgate, 2009.
Sherwin, Paul. “Dying into Life: Keats’s Struggle with Milton in Hyperion.” PMLA, vol. 93, no. 3, 1978, pp. 383–95. JSTOR, doi:10.2307/461861.
Sperry, Stuart M. Keats the Poet. Princeton University Press, 1973.
---. “Richard Woodhouse’s Interleaved and Annotated Copy of Keat’s Poems (1817).” Literary Monographs., vol. 1, University of Wisconsin Press, 1967, pp. 101–64, 308–11.
Spurgeon, Caroline F. E. Keats’s Shakespeare; a Descriptive Study Based on New Material,. 2nd ed., HMilford, Oxford university press, 1929.
Stephenson, William. “The Fall from Innocence in Keats’s ‘Lamia.’” Papers on Language and Literature, vol. 10, no. 1, 1974, pp. 35–50.
Weinfield, Henry. The Blank-Verse Tradition from Milton to Stevens: Freethinking and the Crisis of Modernity. Cambridge University Press, 2012.,
Weinglass, David H. Prints and Engraved Illustrations by and after Henry Fuseli: A Catalogue Raisonné. Scolar Press ; Ashgate PubCo, 1994.
White, R. S. Keats as a Reader of Shakespeare. University of Oklahoma Press, 1987.
Williams, Meg Harris. Inspiration in Milton and Keats. Barnes & Noble Books, 1982.
Wittreich, Joseph Anthony. The Romantics on Milton; Formal Essays and Critical Asides. With a Critical Introd. and Notes. Press of Case Western Reserve University, 1970.
Wolfson, Susan J. John Keats. Pearson Longman, 2007.